F-stops explained

Monday, May 20th, 2013
1,4 depth of field

1,4 depth of field

All pictures are taken on a tripod with the first watch in focus, the ISO is constant at 800 and the shutter speed is varied to keep the pictures similar.

At an F-value of 1,4 the second watch is out of focus and the third is a blurry haze. The shutter speed here is 1/320

2,8 Depth of field

2,8 Depth of field

At F2,8 the second watch is more in focus and we can even start to see the softbox in the background. The shutter speed is 1/100, we have 4 times less light than the first picture because of the F-value, the picture is a little darker than the first one. I shot all the pictures in aperture priority, because I was lazy and didn't want to do so much math to calculate the shutter speed to keep the pictures equal, I now regret that. I should have shot manual as I always do and done the math. To better show the point the first picture should have been 1/400 shutter speed and the next one should be 1/100 shutter speed, to prove that we get exactly 4 times more light in F1,4 than F2,8, but it shows how important it is to shoot in manual. The lighting condition is more or less exactly the same since I used a tripod and the pictures are taken a few seconds apart, so optimally the camera should have chosen 1/400 in the first picture and 1/100 in the second.

5,6 Depth of field

5,6 Depth of field

At F5,6 we start seeing details in the third watch and our pet. The shutter speed is 1/25, so we have 4 times less light than F2,8 and 16 times less light than F1,4.

F8 depth of field

F8 depth of field

At F8 we can distinguish everything in the photo. The shutter speed is 1/13 and we have lost 50% of the light from F5,6

F16 Depth of field

F16 Depth of field

At F16 we see the ball in the background clearer, but now the diffraction hits in a little. The shutterspeed is now at 1/3 and we have about 128 times less light than at F1,4

A little bit about calculating light:

Each F-number in this list give you half the light of the previous F-number: 1,4 2 2,8 4 5,6 8 11 16 because each F-number has half the light gathering area as the previous F-number.

Illustration of different apertures (f-stops)

Illustration of different apertures (f-stops)

 

Taken from Wikipedia